14
1402VLZ4
1402VLZ4
Anotherwaytodothesamethingisassignthe
channelstothealt3–4mix,thenpatchoutofthe
alt3–4outputbackintoanunusedstereochannelline
input.Ifthat’syourchoice,don’teverengagethemute/
alt3–4switchonthatstereochannel,oryou’llhave
everydogintheneighborhoodhowlingatyourfeedback
loop.
AnotherbenetoftheALT3–4featureisthatit
canactasa“AFL”(After-Fader-Listen):justengage
achannel'smute/alt3–4switchandthealt3–4switch
inthesourcematrixandyou’llgetthatchannel,all
byitself,inthecontrolroomandphones.
Mute/alt3–4isoneofthosecontrolsthatcan
bewildernewcomers,sotakeyourtimeandplay
aroundwithit.Onceyou’vegotitdown,you’ll
probablythinkofahundredusesforit!
26. Pan
Panadjuststheamountof
channelsignalsenttotheleft
versustherightoutputs.On
monochannels(ch.1–6or7–14
withconnectionstotheLinput
only)thesecontrolsactaspan
pots.Onstereochannels(7–14)
withstereoconnectionstoLand
Rinputs,thepanknobworkslike
thebalancecontrolonyourhome
stereo.
Pandeterminesthefateof
themainmixandalt3–4mix.
Withthepanknobhardleft,
thesignalwillfeedeithermain
outL(bus1)oraltoutputL
(bus3),dependingonthe
positionofthealt3–4switch.
Withtheknobhardright,the
signalfeedsmainoutR(bus2)
oraltoutputR(bus4).
26
27
29
28
30
31
Constant Loudness ! ! !
The1402VLZ4’spancontrolsemployadesigncalled
“ConstantLoudness.”Ithasnothingtodowithliving
nexttoafreeway.Asyouturnthepanknobfromleft
toright(therebycausingthesoundtomovefromthe
lefttothecentertotheright),thesoundwillappearto
remainatthesamevolume(orloudness).
Ifyouhaveachannelpannedhardleft(orright)and
reading0dB,itmustdipdownabout4dBontheleft
(orright)whenpannedcenter.Todootherwise(the
wayBrandXcompactmixersdo)wouldmakethesound
appearmuchlouderwhenpannedcenter.
3-Band EQ
The1402VLZ4has3-bandequalizationatcarefully
selectedpoints—lowshelvingat80Hz,midpeaking
at2.5kHz,andhishelvingat12kHz.“Shelving”means
thatthecircuitryboostsorcutsallfrequenciespastthe
speciedfrequency.Forexample,rotatingthelowEQ
knob15dBtotherightboostsbassstartingat80Hzand
continuingdowntothelowestnoteyouneverheard.
“Peaking”meansthatcertainfrequenciesforma“hill”
aroundthecenterfrequency—2.5kHzinthecaseof
themidEQ.
27. Low EQ
Thiscontrolgivesyou
upto15dBboostorcut
below80Hz.Thecircuitis
at(noboostorcut)atthe
centerdetentposition.This
frequencyrepresentsthe
punchinbassdrums,bass
guitar,fatsynthpatches,
andsomereallyserious
malesingers.
Usedinconjunctionwith
thelowcut[3]switch,
youcanboostthelowEQ
withoutinjectingatonof
subsonicdebrisintothe
mix.
28. Mid EQ
Shortfor“midrange,”
thisknobprovides15dB
ofboostorcut,centered
at2.5kHz,alsoatatthe
centerdetent.Midrange
EQisoftenthoughtofas
themostdynamic,because
thefrequenciesthatdene
anyparticularsoundarealmostalwaysfoundinthis
range.YoucancreatemanyinterestingandusefulEQ
changesbyturningthisknobdownaswellasup.
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
Low EQ with Low Cut
Low EQ
20
Hz
100
Hz
1k
Hz
10k
Hz
20k
Hz
–15
–10
–5
0
+5
+10
+15
Mid EQ
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