Mackie 1604-VLZ PRO User Manual

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1604-VLZ PRO
16-CHANNEL
MIC
/
LINE MIXER
OWNERS MANUAL
16151413121110987654321
PAN
AUX
3
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
1
2
EQ
5
4
6
5/6
SHIFT
PRE
PRE PRE
PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE
PRE
PRE
TRIM
12
3
4 5 6 7 8 9 10 11 12 13
14
15 16
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
SOLO
L - R
3
4
1
2
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
OL
-
20
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
PAN
AUX
3
EQ
5
4
6
5/6
SHIFT
TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM TRIM
TRACK
8
TRACK
7
TRACK
6
TRACK
5
TRACK
4
TRACK
3
TRACK
2
TRACK
1
U
OO
+15
U
OO
+15
U
OO
+15
U
+15-15
U
+15-15
800
2k200
8k
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
100
+15-15
800
2k200
8k100
+15-15
800
2k200
8k100
+15-15
800
2k200
8k100
+15-15
800
2k200
8k100
+15-15
800
2k200
8k100
+15-15
800
2k200
8k100
+15-15
800
2k200
8k100
+15-15
800
2k200
8k100
+15-15
800
2k200
8k
100
+15-15
800
2k200
8k100
+15-15
800
2k200
8k
100
+15-15
800
2k200
8k
100
+15-15
800
2k200
8k
100
+15-15
800
2k200
8k
100
+15-15
800
2k200
8k100
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
U
OO
+15
1
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
2
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
3
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
4
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
5
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
6
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
7
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
8
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
9
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
10
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
11
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
12
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
MID MID MID MID
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
13
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
14
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
15
MUTE
U
OO
+15
U
+15-15
U
U
+15-15
12k
HI
80Hz
LOW CUT
75 Hz
18dB/OCT
LOW
U
OO
+15
16
MUTE
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
M
I
C
G
A
I
N
060
+15dB
-45dB
-
1
0
d
B
V
UUUU
UUUUUUUUUUUU
LR LR LR LR LR LR LR LR LR LR LR LR LR LR LR LR
OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
AUX
SEND
STEREO AUX RETURN
EFFECTS TO
MONITORS
TO AUX
SEND 2
TO AUX
SEND 1
1
2
PWR
PHAN
SOLO
SOLO
1
2
1
2
3
4
1
2
C
-
R / PHNS
ONLY
RETURNS
SOLO
MAIN MIX
TO SUBS
ASSIGN OPTIONS
1
2
3
4
U
OO
+20
U
OO
+20
U
OO
+15
U
OO
+15
U
OO
+20
U
OO
+20
U
OO
+10
U
OO
+10
LEFT RIGHT
PHONES
LAMP
12V
0.5A
TAPE IN
SOLO
RUDE
SOLO
LIGHT
CTL ROOM / PHONES
SUBS 3
4
SUBS 1
2
MAIN MIX
CTL ROOM
SOURCE
TAPE
TAPE TO
MAIN MIX
MAIN
MIX
RIGHT
1234
LEFT
RIGHT
LEFT
RIGHT
LEFT
RIGHT
LEFT
28
10
7
4
2
2
0
4
7
10
20
30
ASSIGN TO MAIN MIX
LEVEL
SET
MODE
(AFL)
LEVEL SET
NORMAL
(PFL)
U
OO
+20
OO
OO
MAX
0 dB=0 dBu
MAX
dB
30
20
10
OO
40
50
5
5
U
60
10
dB
30
20
10
OO
40
50
5
5
U
60
10
1604-V LZ PRO
16- CHANNEL MIC /L INE MIXER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
1604-VLZ PRO
16- CHANNEL MIC /LINE MI XER
WITH PREMIUM XDR
TM
MIC PREAMPLIFIERS
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
4321
INSERT
INSERT
INSERT
LINE
INSERT
MIC 4
MIC 3
MIC 2
MIC 1
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
LINE
LINE
LINE
OO
+6
PHANTOM
ON
POWER
ON
120 VAC 50/60 Hz 20W
1A/250V SLO-BLO
16
15
14 13
12 11 10
9
876
5
MIC 16
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
INSERT
MIC 15 MIC 14
MIC 13
MIC 12 MIC 11
MIC 10
MIC 9
MIC 8
MIC 7
MIC 6 MIC 5
SUB OUT
C-R OUT
MAIN INSERT
(TIP SEND
RING RETURN)
TAPE
TAPE
MAIN OUT
AUX SEND
DIRECT OUT
AUX RETURN
3
R
L
MONO
R
R
R
R
L
R
L
R
L
R
L
L
L
L
1
42
5
1
234
3
1
64
2
75
3
8
64
1
2
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
BAL/UNBAL
INPUT
OUTPUT
R
L
(MONO)
(MONO)
(MONO)
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
BAL
UN-
BAL
LINE
LINE
LINE
LINELINE
LINE
LINE
LINE
LINE
LINE
LINE
LINE
TO REDUCE THE RISK OF
FIRE REPLACE WITH SAME
TYPE FUSE AND RATING
CAUTION:
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • COPYRIGHT ©1998 • THE FOLLOWING ARE TRADEMARKS OR REGISTERED TRADEMARKS OF MACKIE DESIGN INC.: "MACKIE", "VLZ", "XDR", AND THE "RUNNING MAN" FIGURE • US PATENT NUMBER 29/049,129
XDR
TM
EXTENDED DYNAMIC RANGE MIC PREAMPLIFIERS ARE PROPRIETARY TO MACKIE DESIGNS, INC.
X
D
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1 2 3 4 5 6 ... 39 40

Summary of Contents

Page 1 - 1604-V LZ PRO

1604-VLZ PRO16-CHANNELMIC/LINE MIXEROWNER’S MANUAL16151413121110987654321PANAUX312121212121212121212121212121212EQ5465/6SHIFTPREPRE PREPRE PRE PRE PRE

Page 2 - CAUTION AVIS

10UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE4321INSERTINSERTINSERTLINEINSERTMIC 4MIC 3MIC 2MIC 1BALUN-BALBA

Page 3 - READ THIS PAGE!!!

11 LINE INPUTSThese 1/4" jacks share circuitry (but notphantom power) with the mic preamps. Youcan use these inputs for virtually any signalyou’l

Page 4 - INTRODUCTION

12 SPLIT MONITORINGWith split monitoring, you use the first eightchannels for your sound sources: vocal mics,drum mics, keyboard/synth outputs, guitar

Page 5 - CONTENTS

13UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE4321INSERTINSERTINSERTLINEINSERTMIC 4MIC 3MIC 2MIC 1BALUN-BALBA

Page 6 - HOOKUP DIAGRAMS

14This method is exactlythe same as the double-busing feature found inother mixers. Built-in doublebusing is nothing more thanY-cords living inside th

Page 7 - PRO Stereo P.A

15UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLEOO+6PHANTOMONPOWERON 120 VAC 50/60 Hz 20W1A/250V SLO-BLO1615

Page 8 - PRO Video Setup

16UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE4321INSERTINSERTINSERTLINEINSERTMIC 4MIC 3MIC 2MIC 1BALUN-BALBA

Page 9 - CONVERTING TO RACKMOUNT MODE

17 CHANNEL STRIP DESCRIPTIONA Clean FadeFaders are not rocketscience — they operate bydragging a metal pin (thewiper) across a carbon-basedstrip (the

Page 10 - PATCHBAY DESCRIPTION

18If you’re printing new tracks or bouncing ex-isting ones, you’ll also use the 1–2 and 3–4switches, but not the L–R switch. Here, youdon’t want the s

Page 11 - DIRECT OUT

19CONSTANT LOUDNESS ! ! !The 1604-VLZ PRO’sPAN controls employ a de-sign called “ConstantLoudness.” It has nothingto do with living next to a freeway.

Page 12 - AUX SEND OUTPUTS

2CAUTION AVISRISK OF ELECTRIC SHOCK DO NOT OPENRISQUE DE CHOC ELECTRIQUENE PAS OUVRIRCAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCKDO NOT REMOVE COV

Page 13 - Double Busing

2020Hz100Hz1kHz10kHz20kHz–15–10–50+5+10+1520Hz100Hz1kHz10kHz20kHz–15–10–50+5+10+15Most of the root and lower harmonics thatdefine a sound are located

Page 14 - TAPE OUTPUT

21We recommend going into a stereo reverb inmono and returning in stereo. We have foundthat on most “stereo” reverbs, the second inputjust ties up an

Page 15 - TIPSLEEVE

22AUXSENDSTEREO AUX RETURNEFFECTS TOMONITORSTO AUXSEND 2TO AUXSEND 112PWRPHANSOLOSOLO12123412C-R / PHNSONLYRETURNSSOLOMAIN MIXTO SUBSASSIGN OPTIONS1–2

Page 16 - BNC LAMP SOCKET

23Now you know how to select the signals youwant to send to the engineer’s control roomand/or phones. From there, these signals all passthrough the sa

Page 17 - CHANNEL STRIP DESCRIPTION

24 MODE (NORMAL (AFL)/LEVEL SET (PFL))You may have already seen this, but in caseyou missed it: The 1604-VLZ PRO’s solo systemcomes in two flavors: NO

Page 18 - OL (MUTE) LED

25 METERSThe 1604-VLZ PRO’s peak metering system ismade up of two columns of twelve LEDs. Decep-tively simple, considering the multitude of signalstha

Page 19 - Stereo Sources

26 AUX SENDS SOLOOnce again, in a live sound situations AUXSEND 1 and 2 are likely to feed your stagemonitors. You’ll want to check the mix you’resend

Page 20 - AUX 1, 2, 3, & 4

27(MAIN MIX TO SUBS switch up) and you did adrum fade-out using subgroup faders 1 and 2,the “dry” signals would fade out, but the “wet”signals would k

Page 21 - 5/6 SHIFT

28 1604-VLZ PRO BLOCK DIAGRAMMAIN LSUB 3MAIN RSUB 2SUB 1SUB 4AUX 1AUX 2AUX 3AUX 4AUX 5AUX 6SIP LSIP RPFLLOGIC75HzHPFMID HI80 100–8K 12KLOLR1234SIP LSI

Page 22 - OUTPUT SECTION DESCRIPTION

29 GAIN STRUCTURE DIAGRAM+22dBu max in15dB loss, TRIM down45dB gain, TRIM upLINE IN, all channelsMIC IN, all channels60dB gain, TRIM up0dB gain, TRIM

Page 23 - TAPE TO MAIN MIX

3Part No. 0006982-90 Rev. A1 06/03©2003 Mackie Designs Inc. All Rights Reserved.We realize that you must have a powerfulhankerin’ to try out your n

Page 24 - RUDE SOLO LIGHT

30 SPECIFICATIONSMain Mix Noise20Hz–20kHz bandwidth, 1⁄4" Main Out, channel Trims @unity gain, channel EQs flat, all channels assigned to Main Mi

Page 25 - AUX SENDS (MASTER)

31 SERVICE INFODetails concerning Warranty Service arespelled out on the Warranty Card included withyour mixer (if it’s missing, let us know and we’ll

Page 26 - 1–2/3–4 (AUX RET 3)

32APPENDIX A: CONNECTIONS“XLR” CONNECTORSMackie mixers use 3-pin female “XLR” con-nectors on all microphone inputs, with pin 1wired to the grounded (e

Page 27 - MODIFICATIONS

33SPECIAL MACKIE CONNECTIONSThe balanced-to-unbalanced connection hasbeen anticipated in the wiring of Mackie jacks.A 1⁄4" TS plug inserted into

Page 28 - PRO BLOCK DIAGRAM

34Using the Send Only on an Insert JackIf you insert a TS (mono) 1⁄4" plug only partially(to the first click) into a Mackie insert jack, theplug

Page 29 - GAIN STRUCTURE DIAGRAM

35TIP (SEND)RING (IN)TIP (OUT)RING (RETURN)TO MIXERCHANNEL INSERTRING (RETURN)TIP (SEND)TO PROCESSORINPUTFROM PROCESSOROUTPUTY-cord insert cableY-cord

Page 30 - SPECIFICATIONS

36PANAUX3121212121212121212EQ5465/6SHIFTPREPRE PREPRE PRE PRE PRE PRETRIM12345678SOLOL - R3–41–2SOLOL - R3–41–2SOLOL - R3–41–2SOLOL - R3–41–2SOLOL - R

Page 31 - SERVICE INFO

37UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE. DEBRANCHER AVANT DE REMPLACER LE FUSIBLE4321INSERTINSERTINSERTLINEINSERTMIC 4MIC 3MIC 2MIC 1BALUN-BALBA

Page 32 - APPENDIX A: CONNECTIONS

38COLOPHON(Roll credits please) Manual written by JeffGilbert, based on a vignette by Ron Koliha,with tidbits borrowed from almost everywhere.Manual t

Page 33 - UNBALANCING A LINE

391604-VLZ PRO LIMITED WARRANTY3. Make sure that the problem can be dupli-cated. If you bring your product to an AuthorizedService Center and they can

Page 34 - Mono, Stereo, Whatever

4PANAUX312121212121212121212121212121212EQ5465/6SHIFTPREPRE PREPRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PREPREPRETRIM1234 5 6 7 8 9 10 11 12 131415 16S

Page 35 - MULTS AND “Y”s

Mackie Designs Inc.16220 Wood-Red Road NE • Woodinville, WA 98071 • USAUS and Canada: 800.898.3211Europe, Asia, Central and South America: 425.487.433

Page 36 - 1604-VLZ PRO

5CONTENTS PRE ... 21 5/6 SHIFT ... 21OUTPUT SECTION DE

Page 37 - 1604-VL Z PRO

61604-VLZ PRO 8-Track Tracking87654345678910111213141516211234RLRRLRLRLRLR123456DIRECT OUTBAL/UNBALCHANNEL INSERTSAUX RETURNSMAININSERTC/R OUTBAL/UNBA

Page 38 - COLOPHON

71604-VLZ PRO Stereo P.A.87654345678910111213141516211234RLRRLRLRLRLR123456CHANNEL INSERTSAUX RETURNSMAININSERTMONOSTEREOPHONESOUT1234CHANNEL INPUTSLL

Page 39 - 1604-VLZ PRO LIMITED WARRANTY

81604-VLZ PRO Video Setup87654345678910111213141516211234RLRRLRLRLRLR123456CHANNEL INSERTSAUX RETURNSMAININSERTMONOSTEREOPHONESOUT1234CHANNEL INPUTSLL

Page 40 - Mackie Designs Inc

9 CONVERTING TO RACKMOUNT MODENot only is the new 1604-VLZ PRO a compact,professional-quality tabletop mixer, it’s rack-mountable! Its unique rotating

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