Mackie 8-submaster mixer Owner's Manual Page 19
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- TROUBLESHOOTING
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17
OPERATING
LEVEL CH. 17-24
TAPE RETU
R
15
13 11 9 7 5
16 14 12 10 68
17
18
19
20
21
22
TAPE RETURNS 9-16TAPE RETURNS 17-24
OUT +4dBu
IN –10dBV
+4 / –10 BALANCED / UNBALANCED+4 / –10 BALANCED / UNBALANCED +4 / –10 BALANCED /
U
OPERATING
LEVEL CH. 9-16
OUT +4dBu
IN –10dBV
Console Bus 1: Submaster 1, 9 and 17
Console Bus 2: Submaster 2, 10 and 18
Console Bus 3: Submaster 3, 11 and 19
Console Bus 4: Submaster 4, 12 and 20
Console Bus 5: Submaster 5, 13 and 21
Console Bus 6: Submaster 6, 14 and 22
Console Bus 7: Submaster 7, 15 and 23
Console Bus 8: Submaster 8, 16 and 24
Connect the inputs of your multitrack recorder to
the Tape Output jacks.
Why are there 24 submaster output jacks on
an 8-submaster mixer? This is called “triple-bus-
sing.” When you send a signal to Submaster 1
output, for instance, it will appear at Submaster
Outputs #1, #9 and #17. Now, whichever tracks
on your multitrack are in RECORD mode will ac-
cept the signal, while the tracks in SAFE mode
won’t. That way, you can feed a 24-track deck
without having to constantly re-patch. Connect
the Submaster/Tape Outputs to the correspond-
ing inputs on your multitrack, using only
Submasters 1 through 8 for an 8-track deck, or
1-16 for a 16-track deck.
Submaster/Tape Output
OPERATING LEVEL
Nominal level for the Submaster jacks is
switched to either +4dBu (switch out) or
–10dBV (switch in) in groups of 4 channels (3).
If you aren’t sure of your multitrack recorder’s
operating input level, check the specifications
section of the recorder’s owner’s manual.
REAR PANEL
CONNECTIONS
The connections to and from your multitrack re-
corder are on the Rear Panel of the 8•Bus Series.
There are 16, 24 or 32 Tape Return jacks (depending
on the model) and 24 Submaster/Tape Out jacks.
Tape Returns
The Tape Return jacks (1) are 1/4" TRS balanced,
with tip wired to high (+), ring to low (–) and sleeve
to ground. These jacks are also wired to accommo-
date 1/4" TS unbalanced connections. Each jack is
connected to the Tape input on the corresponding
channel, and is selected by the FLIP switch on that
channel.
Connect the outputs of your multitrack recorder
to the Tape In jacks. Note that they are grouped in
sets of eight: 1-8, 9-16 and17-24.
Tape return OPERATING LEVEL
Nominal level for the Tape Return jacks is
switched to either +4dBu (switch out) or -10dBV
(switch in) in groups of 8 channels. If you aren’t sure
of your multitrack recorder’s operating output level,
check the specifications section of the recorder’s
owner’s manual.
Submaster/Tape Outputs
The Tape Out jacks (2) are 1/4" TRS balanced,
with tip wired to high, ring to low and sleeve to
ground. These jacks are also wired to accommodate
1/4" TS unbalanced connections. The Submaster
Outputs of the console appear on these jacks in the
following pattern:
LEFTRIGHT
MAIN BAL OUTPUTS
+28dBu MAX OUT
SUBMASTER / TAPE OUTPUTS
+4dBu BALANCED / –10dBV UNBALANCED
87
15
6
14
5
13
4
12
3
11
2
10
1
9
OUT +4dBu
IN –10dBV
16
171820 1921222324
OPERATING
LEVEL
OUT +4dBu
IN –10dBV
OPERATING
LEVEL
- LEFT/RIGHT 0
- AUX SENDS 1
- FUNCTION 3
- METERING 4
- STEREO AUX RETURNS 5
- TALKBACK 6
- MASTER OUTPUT) 7
- INPUT STRIP 7
- OUTPUT PANEL 8
- TIP = OUT RING = IN 9
- REAR PANEL 10
- CONNECTIONS 10
- Tape Returns 10
- Submaster/Tape Outputs 10
- SAFETY INSTRUCTIONS 11
- MAIN BALANCED OUTPUTS 12
- EXPANDER PORT 12
- DC POWER IN 12
- GENERAL INFORMATION 14
- HI MID Variable 1: Boost/Cut 15
- HI MID Variable 2: Bandwidth 15
- 3 HI MID VARIABLES 15
- LO MID Variable 1: Boost/Cut 16
- 2 LO MID VARIABLES 16
- Connectors 17
- A BIT MORE ON MIX-B/FLIP 17
- SECTION 4: 18
- Wet or Dry Monitor? 19
- RECORDING 19
- TRACKING PART 1: INPUT/OUTPUT 20
- TRACKING PART 2: THE BOARD 21
- IMPORTANT SENSITIVITY 22
- ADJUSTMENT PROCEDURE! 22
- PLEASE! SAVE THE 22
- SHIPPING BOX! 22
- MIXING OVERVIEW 23
- MIXING SETUP 24
- DOING THE MIX 24
- Mono Compressor 25
- OVERDUBBING PART 2: THE BOARD 26
- Noise Gate 27
- 16x8x2 8-BUS MIXING CONSOLE 28
- Power Amplifier 29
- Control Rm Monitors 29
- Tinted buttons 30
- Tinted knobs are used 30
- Using Subgroups 31
- Send / Return Devices 31
- Monitoring and Levels 32
- A Word About Automation 32
- TABLE OF CONTENTS 33
- SECTION 5: 35
- WITH THE MACKIE 8•BUS CONSOLE 35
- 13 14 15 16 37
- HOUSE MIX ONLY or MONITOR MIX 40
- FINDING MORE INPUTS 41
- Channel Insert jack 42
- RCA PLUGS AND JACKS 43
- UNBALANCING A LINE 43
- SPECIAL MACKIE CONNECTIONS 43
- SECTION 1: Introduction 44
- Insert Jacks 45
- Whatever 45
- MULTS AND “Y”s 45
- APPENDIX C: Modifications 47
- II. PFL mod 48
- III. Mix-B Source mod 48
- IV. Mix-B Mute mod 49
- V. AUX 1/2 Source mod 50
- APPENDIX D: Specifications 51
- 16x8x2 8-BUS MIXING CONSOLE 52
- 24x8x2 8-BUS MIXING CONSOLE 53
- 32x8x2 8-BUS MIXING CONSOLE 54
- MB•E Optional Meter Bridge 56
- 220-WATT POWER SUPPLY FOR 57
- 8•BUS CONSOLES & EXPANDER 57
- 8•BUS SIDE CAR RACK 58
- How to get Mackie service 59
- To obtain factory service: 59
- Troubleshooting 59
- Mackie Service Center: 60
- TRACK SHEETS 62
- Page _____ 63
- Hey buddy can 65
- –20 AND OL LEDs 66
- CHANNEL SOLO 66
- PHANTOM POWER 66
- MIC/LINE SWITCH 66
- 8•BUS CONSOLE 69
- BLOCK DIAGRAM 69
- SUB MASTER 1 & 2 70
- AUX SEND 1 70
- AUX SEND 3 70
- Mackie Designs Inc 71
- MIX-B / MONITOR 72
- EQ SECTION 73
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