Mackie PROFESSIONAL MIC/LINE MIXERS WITH FX AND USB I/O PROFX16 Owner's Manual

Browse online or download Owner's Manual for Audio mixers Mackie PROFESSIONAL MIC/LINE MIXERS WITH FX AND USB I/O PROFX16. Mackie PROFESSIONAL MIC/LINE MIXERS WITH FX AND USB I/O PROFX16 Owner`s manual [en] User Manual

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Professional Mic/Line Mixers with FX and USB I/O
ProFX16 and ProFX22
OWNER’S MANUAL
48V
MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTEMUTEMUTEMUTEMUTEMUTEMUTE
OL
4
6
3
10
15
7
10
20
30
0
2
0dB = 0dBu
LEVEL
SET
RUDE
SOLO
MAIN
METERS
RL
MIC MIC MIC MIC MIC MIC MIC MIC MIC MIC
GAINGAIN
+20
-20
GAIN
(MONO)
LINE IN 9
LINE IN 10
L
R
(MONO)
L
R
(MONO)
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL
BAL /UNBAL BAL /UNBAL
BAL /UNBAL BAL /UNBAL
BAL /UNBAL BAL /UNBALBAL /UNBALBAL /UNBALBAL /UNBALBAL /UNBALBAL /UNBALBAL /UNBALBAL /UNBALBAL /UNBALBAL /UNBALBAL /UNBAL
L
R
(MONO)
L
R
LINE IN 11
LINE IN 12
LINE IN 13
LINE IN 14
LINE IN 15
LINE IN 16
L R
17/1815/16 19/20 21/22
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN LINE INLINE IN LINE IN LINE IN LINE IN
OL
RL
PAN
7
dB
30
20
10
10
40
50
5
5
U
60
7
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
8 9 10 11 12 13 14
GAIN
U
+50
M
I
C
G
A
I
N
U
+50
M
I
C
G
A
I
N
U
LOW CUT LOW CUT
AUX
RETURN
MON
1
INTERNAL FX
MON
2
AUX
MASTER
U
+15
U
+15
U
+15
TO
MON 1
TO
MON 2
TO
MON 1
TO
MON 2
TO
MAIN
L-R
U
+10
U
+15
U
+15
U
+10
U
+15
U
+15
SOURCE
LINE
USB
PHANTOM
POWER
8 9 10 11 12 13 14 15/16 17/18 19/20 21/22
8K4K2K1K500250125
15
15
10
10
5
5
0
15
15
10
10
5
5
0
STEREO GRAPHIC EQ
PHONES
L
R
(MONO)
L
R
1
2
3
4
1
2
RL RL RL RL
SUB 2 SUB 3SUB 1
INSERT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
RL
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
RL
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL
RL
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
OL OL OL OL OL
RL
PAN
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
dB
30
20
10
10
40
50
5
5
U
60
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ EQ EQ EQ EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
AUX
RL
PAN
MON
1
MON
2
U
+15
U
+15
U
+15
AUX
RL
PAN
MON
1
MON
2
U
+15
U
+15
U
+15
AUX
RL
PAN
MON
1
MON
2
U
+15
U
+15
U
+15
AUX
RL
PAN
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
OFF MAX
COMP
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
12kHz
HI
80Hz
LOW
MID
2.5kHz
dB
30
20
10
10
40
50
5
5
U
60
dB
30
20
10
10
40
50
5
5
U
60
dB
30
20
10
10
40
50
5
5
U
60
SUB 4
dB
30
20
10
10
40
50
5
5
U
60
CR /PHONES
MAX
2-TRACK RETURN
TAPE
USB OUT
MAIN
LEVEL
U
+15
INT FX
MUTE
SIG/OL
PROFESSIONAL MIC/LINE MIXER WITH FX
FX SEND
FOOTSWITCH
MON SEND
BALANCED BALANCED
AUX RETURN CR OUT SUB OUT
MAIN OUT
IN OUT
TAPE
L
R
dB
30
20
10
10
40
50
5
5
U
60
MAIN
+20
-20
U
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
6
dB
30
20
10
10
40
50
5
5
U
60
6
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
5
dB
30
20
10
10
40
50
5
5
U
60
5
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
4
dB
30
20
10
10
40
50
5
5
U
60
4
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
3
dB
30
20
10
10
40
50
5
5
U
60
3
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
2
dB
30
20
10
10
40
50
5
5
U
60
2
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
INSERT
MIC
BAL /UNBAL
U
GAIN
M
I
C
G
A
I
N
U
+50
-20dB
+30dB
AUX
LINE IN
OL
RL
PAN
1
dB
30
20
10
10
40
50
5
5
U
60
1
PFL
SOLO
L-R
1-2
3-4
80Hz
LOW
MID
FREQ
600
1.5k150
8k100
EQ
12kHz
HI
MON
1
MON
2
U
+15
U
+15
U
+15
-15
U
+15
-15
U
+15
-15
U
+15
LOW CUT
100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz 100Hz
INSERT
MAIN MIX
MON 1
EQ IN
BYPASS
USBSUB 1-2
13 DELAY 1 (300ms)
14 DELAY 2 (380ms)
15 DELAY 3 (480ms)
16 REVERB + DLY (250ms)
01 BRIGHT ROOM
02 WARM LOUNGE
03 SMALL STAGE
04 WARM THEATER
09 CHORUS
10 CHORUS + REV
11 DOUBLER
12 TAPE SLAP
05 WARM HALL
06 CONCERT HALL
07 PLATE REVERB
08 CATHEDRAL
BREAK
(MUTES ALL CH)
FX FX
TO
MAIN
L-R
FX FX FX FX FX FX FX FX FXFX FXFXFXFXFXFXFX
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1 2 3 4 5 6 ... 35 36

Summary of Contents

Page 1 - OWNER’S MANUAL

Professional Mic/Line Mixers with FX and USB I/OProFX16 and ProFX22OWNER’S MANUAL48VMUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTEMUTEMUT

Page 2 - Important Safety Instructions

10 ProFX16 and ProFX22USB output FROM the mixer - recording, etc:In the USB OUT section you may select either the main mix (disengaged) or subgroups

Page 3 - Read This Page!

Owner's Manual 11Front Panel - Connections and Channel StripThe vertical channel strips look very similar, and have only a few differences be

Page 4 - Introduction

12 ProFX16 and ProFX22Phantom power may be selected by engaging the mixer's phantom [35] switch.Never plug single-ended (unbalanced) micro

Page 5 - Owner's Manual 5

Owner's Manual 13 8. INSERTTheseunbalanced1/4"jacksareforconnecting serial effects processors such as compressors, equalizers,

Page 6 - Contents

14 ProFX16 and ProFX2211. HI EQThe hi EQ provides up to 15 dB of boost or cut above 12 kHz, and it is also flat (no boost or cut) at the detent. Use

Page 7 - Hookup Diagrams

Owner's Manual 15The pan [18], mute [20] and channel fader [23] do not affect the monitor output, but the other channel controls will. The aux

Page 8 - 8 ProFX16 and ProFX22

16 ProFX16 and ProFX2222. PFL SOLO SwitchWhen a channel's solo switch is engaged, any existing selection is replaced by the solo signal, appear

Page 9 - ProFX Features – Rear Panel

Owner's Manual 17At the maximum compression, the threshold is set at 0 dBu, and the input to output relationship is represented by the lower

Page 10 - 10 ProFX16 and ProFX22

18 ProFX16 and ProFX22Additional Inputs & Outputs26. MON SENDStage monitors allow the talented musicians in the band to hear themselves clearly

Page 11 - ProFX Features

Owner's Manual 1928. FX FOOTSWITCHThis1/4"TRSconnectoriswheretoconnectyourfavorite footswitch. This allows you to easily mute or

Page 12 - 12 ProFX16 and ProFX22

2 ProFX16 and ProFX221. Read these instructions. 2. Keep these instructions.3. Heed all warnings.4. Follow all instructions.5. Do not use this

Page 13 - Owner's Manual 13

20 ProFX16 and ProFX22Stereo Graphic EQ, Main Meters & more!35. 48V PHANTOM POWER SwitchMostmodernprofessionalcondensermicsrequire48Vpha

Page 14 - 14 ProFX16 and ProFX22

Owner's Manual 2138. MAIN MIX / MON 1 SwitchThis switch allows you to choose if the stereo graphic EQ [37] is used for the stereo left and righ

Page 15 - Owner's Manual 15

22 ProFX16 and ProFX22AUXRETURNMON1INTERNAL FXMON2AUXMASTERU+15OOU+15OOU+15OOTOMON 1TOMON 2TOMON 1TOMON 2TOMAIN L-RU+10OOU+15OOU+15OOU+10OOU+15OOU+1

Page 16 - 16 ProFX16 and ProFX22

Owner's Manual 2348. INT FX MUTE Switch and LEDWhen engaged, the internal effects processor is muted, and its output will not appear on the mai

Page 17 - Owner's Manual 17

24 ProFX16 and ProFX22Whatever the selection, the control room outputs may also be used for other applications. The sound quality is just as impecca

Page 18 - 18 ProFX16 and ProFX22

Owner's Manual 25If you think your mixer has a problem, please check out the following troubleshooting tips and do your best toconrmtheprob

Page 19 - Owner's Manual 19

26 ProFX16 and ProFX22XLR ConnectorsMackiemixersuse3-pinfemaleXLRconnectorsonall microphone inputs, with pin 1 wired to the grounded (earthe

Page 20 - Meters & more!

Owner's Manual 27TRS Send/Receive Insert JacksMackie’ssingle-jackinsertsarethethree-conductor,TRS1⁄4"phonetype.Theyareunbalan

Page 21 - Owner's Manual 21

28 ProFX16 and ProFX22SpecificationsNoise Characteristics: (20 Hz to 20 kHz bandwidth, 150 Ω Source Impedance Equivalent Input Noise)Mic in to

Page 22 - Internal FX

Owner's Manual 29Dimensions48VMUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTE MUTEMUTEMUTEMUTEMUTEMUTEMUTEOL46310157102030020dB = 0dBuLE

Page 23 - 2-Track Return, and more!

Owner's Manual 3Part No. SW0898 Rev. C 05/11©2011 LOUD Technologies Inc. All Rights Reserved.Hey buddy, why are you reading this? It's an

Page 24 - 24 ProFX16 and ProFX22

30 ProFX16 and ProFX22Block DiagramLRSolo SoloMainCR/PhonesLevelHPFLevelPanLRSub 1 Out(Sub 2-4 identical)To FX Return LPhonesControlRoomOutLRL sumR

Page 25 - Troubleshooting

Owner's Manual 31Track Sheet - Mono ChannelsMIC MIC MIC MIC BAL /UNBALBAL /UNBALBAL /UNBALBAL /UNBALUGAINMIC GAINU+50-20dB+30dBAUXLINE INOLR

Page 26 - Appendix B: Connections

32 ProFX16 and ProFX22Track Sheet - Comp & Stereo ChannelsMIC MIC MIC MIC MIC MIC GAINGAIN+20-20GAIN(MONO)LINE IN 9 LINE IN 10LR(MONO)LR(MO

Page 27 - TRS Send/Receive Insert Jacks

Owner's Manual 33Track Sheet - Master SectionOL46310157102030020dB = 0dBuLEVELSETRUDESOLOMAINMETERSRLBAL /UNBAL BAL / UNBALBAL /UNBAL BAL / UNB

Page 28 - Specifications

34 ProFX16 and ProFX22Appendix D: Table of Effects PresetsNo. TitleDescription Example of its use01 Bright RoomThis room has a bright tone with lots

Page 29 - Dimensions

Owner's Manual 35ProFX16 and ProFX22 Limited WarrantyPlease keep your sales receipt in a safe place.This Limited Product Warranty (“Product War

Page 30 - Block Diagram

16220 Wood-Red Road NE • Woodinville, WA 98072 • USAUnited States and Canada: 800.898.3211Europe, Asia, Central and South America: 425.487.4333Middle

Page 31 - Track Sheet - Mono Channels

4 ProFX16 and ProFX22IntroductionAwesomely unheard of featuresPowerful on-board FX engine and four individual compressorsInpursuitoftheultimat

Page 32 - 32 ProFX16 and ProFX22

Owner's Manual 5Features • Professional4•Buslivesoundmixerwithonboard effects and USB I/O• Low-noise,high-headroomMackiemicpreamps

Page 33 - Track Sheet - Master Section

6 ProFX16 and ProFX22ContentsIMPORTANT SAFETY INSTRUCTIONS ... 2QUICK START ...

Page 34 - 34 ProFX16 and ProFX22

Owner's Manual 7 Hookup DiagramsTypical Live Sound SystemThis diagram shows a mic'd up drum kit utilizing the first seven channels of the m

Page 35 - Owner's Manual 35

8 ProFX16 and ProFX22Typical Recording SystemThis diagram shows a bass and effects processor attached to the channel 5 line-level input, microph

Page 36

Owner's Manual 9Connections1. POWER CONNECTIONThis is a standard 3-prong IEC power connector. Connect the detachable linecord (included in the

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