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Mackie ONYX 1640I Owner's Manual Page 19

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Owner's Manual 19
42. HEADPHONE OUTPUT
This 1/4" TRS connector supplies the output to your
stereo headphones. It is the same signal that is routed
to the control room outputs [16], as determined by the
control room/phones source matrix [44, 45]. The
volume is controlled with the phones knob [48], right
next to the control room knob [47].
Whenever a solo switch [41] is engaged, you will
only hear the soloed channel(s) in the headphones.
This gives you the opportunity to audition the channels
before they are added to the main mix. (Solo signals
reaching the headphones are not affected by the
channel level or main level, therefore turn down the
phones level first, as soloed channels may be loud.)
The phones output follows standard conventions:
Tip = Left channel
Ring = Right channel
Sleeve=Commonground
WARNING: The headphone amp is loud, and
can cause permanent hearing damage. Even
intermediate levels may be painfully loud
withsomeheadphones.BECAREFUL!Alwaysturnthe
phones level control [48] all the way down before
connecting headphones or pressing a solo switch, or
doing anything new that may affect the headphone
volume. Then turn it up slowly as you listen carefully.
43. LAMP
ThisfemaleBNCconnectorprovides12voltsDCon
itscenterpin.Connectanyqualitygoosenecklamp
here.
44. MAIN MIX
Press this switch in to listen to the main mix in your
control room and headphones, and to check the main
mix levels in the meters. In addition to the main mix,
you can listen to any combination of tape, FireWire and
recording outs, depending on which of these switches
[45] is engaged.
If the assign to main mix switch [46] is
engaged, you cannot hear the main mix in the
control room or headphones, or see its level
on the meters. This is to prevent feedback caused by
sending the main mix to the main mix.
Control Room/Phones and
Meters
Typically, the engineer sends the main mix to an
audience (for a live show) or to a mixdown deck (if
recording). But what if the engineer needs to hear
something other than the main mix in the control room
or headphones? With the Onyx 1640i, the engineer has
several choices of what to listen to. This is one of those
tricky parts, so buckle up.
48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
PREMIUM ANALOG MIXER
w/ PERKINS EQ & FIREWIRE
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
dB
30
20
10
40
50
5
5
U
60
10
OO
5
GAIN
CR/PHONES
ONLY
SUBS
1-2
3-4
SEND
TO
4
CONTROL
ROOM
PHONES
MAIN MIX
L
R
SUB ASSIGN
MAIN MIX
L
R
MAIN MIX
L
R
MAIN MIX
L
R
TO AUX 5
MAIN
SUBS
TO AUX 6
SENDS RETURNS
PRE
POST
PRE
POST
PRE
POST
PRE
POST
PRE
POST
PRE
POST
EFX TO
MON
RUDE
SOLO
20
15
10
6
3
0
2
4
7
10
20
30
SUB 3
-
4
FW 1-2
SUB 1
-
2
TAPE
ASSIGN TO
MAIN MIX
MAIN MIX
LEVEL
SET
CLIP
12345678910111213141516
12345678910111213141516
MAIN
MIX
SUB1 SUB4SUB3SUB2
SUB1 SUB4SUB3SUB2
4
3
22
11
6
4
2
1
5
6
3
PAN
AUX
AUX AUX AUXAUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX
12V 0.5A
LAMP
CTRL ROOM/PHONES
SOURCE
ASSIGN TO
FW 15-16
LEVEL
MIC
EXTERNAL
MIC
LINE
FW 1
LINE
FW 2
LINE
FW 16
LINE
FW 15
LINE
FW 14
LINE
FW 13
LINE
FW 12
LINE
FW 11
LINE
FW 10
LINE
FW 9
LINE
FW 8
LINE
FW 7
LINE
FW 6
LINE
FW 5
LINE
FW 4
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
LINE
FW 3
DESTINATION
AUX MASTER
SENDS 1-6
TO FW 9-14
TALKBACK
PHONES
AUX 1-6
1 2345678910111213141516
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
+
15
OO
+
15
OO
+15
OO
+10
OO
+10
OO
+
10
OO
+
10
OO
+
10
OO
+
10
OO
+
15
OO
+15
OO
+
15
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUBS 1-4
TO FW 5-8
SOLO
LEVEL
PFL
AFL
TAPE TO
MAIN MIX
TAPE IN
MAX
OO
MAX
OO
SOLO
MODE
LR
0dB=0dBu
POWER
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+
10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
33
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OL
+
10
0
-20
AUX MASTERS
R123 123456L4
MAIN MIX
ALTERNATE FIREWIRE ASSIGNMENTS
SUBGROUPS
TALKBACK
RECORDING OUTS
POST GAIN PRE INSERT
BALANCED
1
-
8
9-16
OO
+6
SUB OUT
FIREWIRE
CTRL-RM OUTTAPEMAIN INSERT
IN OUT
AUX SENDAUX RETURN
33
R
L
MONO
R
R
L
R
L
R
L
R
L
R
L
1
42
512431
642
(MONO)
R
L
(MONO)
(MONO)
(MONO)
RL
MAIN OUT
POWER
ON
(TIP=SEND
RING=RTN)
BAL/UNBALBAL/UNBALBALANCED
MIC
+48v
HI-Z
L
BAL/UNBAL
MIC
+4dB
MAIN OUTPUT
LEVEL
BAL/UNBALBAL/UNBALBAL/UNBAL
1
INSERT
16 15 14 13 12 11 10 98765432
O
N
Y
X
M
I
C
P
R
E
HI-Z
BAL/UNBAL
INSERT
O
N
Y
X
M
I
C
P
R
E
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
O
N
Y
X
M
I
C
P
R
E
O
N
Y
X
M
I
C
P
R
E
O
N
Y
X
M
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P
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X
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P
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42 43
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