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Mackie ONYX 1640I Owner's Manual Page 26

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26 Onyx 1640i
48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V 48V
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
SOLO
MUTE
EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ EQ
SOLO
SOLO
SOLO
SOLO
SOLO
SOLO
PREMIUM ANALOG MIXER
w/ PERKINS EQ & FIREWIRE
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
dB
30
20
10
40
50
5
5
U
60
10
OO
5
GAIN
CR/PHONES
ONLY
SUBS
1-2
3-4
SEND
TO
4
CONTROL
ROOM
PHONES
MAIN MI
X
L
R
SUB ASSIGN
MAIN MIX
L
R
MAIN MIX
L
R
MAIN MIX
L
R
TO AUX 5
MAIN
SUBS
TO AUX 6
SENDS RETURNS
PRE
POST
PRE
POST
PRE
POST
PRE
POST
PRE
POST
PRE
POST
EFX TO
MON
RUDE
SOLO
20
15
10
6
3
0
2
4
7
10
20
30
SUB 3
-
4
FW 1-2
SUB 1
-
2
TAPE
ASSIGN TO
MAIN MIX
MAIN MIX
LEVEL
SET
CLIP
12345678910111213141516
12345678910111213141516
MAIN
MIX
SUB1 SUB4SUB3SUB2
SUB1 SUB4SUB3SUB2
4
3
22
11
6
4
2
1
5
6
3
PAN
AUX
AUX AUX AUXAUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX
12V 0.5A
LAMP
CTRL ROOM/PHONES
SOURCE
ASSIGN TO
FW 15-16
LEVEL
MIC
EXTERNAL
MIC
LINE
FW 1
LINE
FW 2
LINE
FW 16
LINE
FW 15
LINE
FW 14
LINE
FW 13
LINE
FW 12
LINE
FW 11
LINE
FW 10
LINE
FW 9
LINE
FW 8
LINE
FW 7
LINE
FW 6
LINE
FW 5
LINE
FW 4
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
75Hz
18dB/OCT
LINE
FW 3
DESTINATION
AUX MASTER
SENDS 1-6
TO FW 9-14
TALKBACK
PHONES
AUX 1-6
1 2345678910111213141516
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
+
15
OO
+15
OO
+
15
OO
+
10
OO
+
10
OO
+
10
OO
+
10
OO
+10
OO
+10
OO
+15
OO
+15
OO
+
15
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUBS 1-4
TO FW 5-8
SOLO
LEVEL
PFL
AFL
TAPE TO
MAIN MIX
TAPE IN
MAX
OO
MAX
OO
SOLO
MODE
LR
0dB=0dBu
POWER
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
3
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OL
+10
0
-20
SUB
ASSIGN
MAIN
MIX
1
-
2
3
-
4
GAIN
4
2
1
5
6
33
PAN
HIGH
12kHz
LOW
80Hz
U
+15-15
U
+15-15
U
+15-15
U
+15-15
8k400
2k
2k100
400
HIGH
MID
FREQ
LOW
MID
FREQ
+40dB
U
-
20dB
U
20
30
40
60
L
R
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
MAX
OO
SEND
PRE
POST
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OUT
IN
OL
+10
0
-20
AUX MASTERS
R123 123456L4
MAIN MIX
ALTERNATE FIREWIRE ASSIGNMENTS
SUBGROUPS
TALKBACK
RECORDING OUTS
POST GAIN PRE INSERT
BALANCED
1
-
8
9-16
OO
+6
SUB OUT
FIREWIRE
CTRL-RM OUTTAPEMAIN INSERT
IN OUT
AUX SENDAUX RETURN
33
R
L
MONO
R
R
L
R
L
R
L
R
L
R
L
1
42
512431
642
(MONO)
R
L
(MONO)
(MONO)
(MONO)
RL
MAIN OUT
POWER
ON
(TIP=SEND
RING=RTN)
BAL/UNBALBAL/UNBALBALANCED
MIC
+48v
HI-Z
L
BAL/UNBAL
MIC
+4dB
MAIN OUTPUT
LEVEL
BAL/UNBALBAL/UNBALBAL/UNBAL
1
INSERT
16 15 14 13 12 11 10 98765432
O
N
Y
X
M
I
C
P
R
E
HI-Z
BAL/UNBAL
INSERT
O
N
Y
X
M
I
C
P
R
E
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
LINE
BAL/UNBAL
INSERT
O
N
Y
X
M
I
C
P
R
E
O
N
Y
X
M
I
C
P
R
E
O
N
Y
X
M
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P
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O
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Y
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P
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O
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Y
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M
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O
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Y
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O
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Y
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M
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O
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Y
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Y
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Main and Subs Mix
70. SUB ASSIGN
One popular use of the su/jointfilesconvert/305364/bgroups is to use them as
master faders for a group of channels on their way to the
main mix [73]. Let us say you have a drum kit hogging
up seven channels and you are going to want to fade
them out at a different rate than the other channels.
You do not want to try that with seven hands or seven
fingers, so just un-assign these channels from the main
mix and reassign them to su/jointfilesconvert/305364/bgroups 1-2, engage the
assign to main mix left on su/jointfilesconvert/305364/bgroup 1 and assign to main
mix right on su/jointfilesconvert/305364/bgroup 2. Now you may ride the entire
drum mix with two faders - su/jointfilesconvert/305364/bgroups 1 and 2.
If you engage just one assign to main mix button per
su/jointfilesconvert/305364/bgroup (left or right), the signal sent to the main mix
[73] will be the same level as the sub outs [17]. If you
want the su/jointfilesconvert/305364/bgroup to appear in the center of the main
mix, engage both the assign to main mix left and right
buttons. The signal will be sent to both sides.
71. SUB 1-4 FADERS
As you might expect, these faders control the levels of
the signals sent to the sub outs [17]. All channels that
are assigned to su/jointfilesconvert/305364/bgroups, not muted, and not turned
fully down will appear at the sub outs. Unlike the main
outs [8, 10], the su/jointfilesconvert/305364/bgroup signals do not pass through
an insert jack on their way to the su/jointfilesconvert/305364/bgroup faders. That
is not a problem - should you want to send these signals
through a serial effects processsor, simply patch from
the sub outs to the effect's input, and from the effect's
output to whatever the final destination is, usually a
multitrack recorder.
The su/jointfilesconvert/305364/bgroup signal is off when its fader is fully down,
the "U" marking is unity gain, and fully up provides 10
dB additional gain. Remember that if you are treating
two su/jointfilesconvert/305364/bgroups as a stereo pair, su/jointfilesconvert/305364/bgroup 1 and 2 for
example, make sure that both su/jointfilesconvert/305364/bgroup faders "ride"
together to maintain the left/right balance.
72. SUBS 1-4 TO FW 5-8
Engage this button, located just below the su/jointfilesconvert/305364/bgroup
faders, and the subs 1-4 mix can be sent to your
computer via FireWire channels 5-8. The sub 1 mix
will appear on FireWire output signal 5, the sub 2 mix
will appear on FireWire output signal 6, and so on. The
FireWire output is affected by the sub faders. (When
this button is engaged, mixer channels 5-8 are not
available to send via FireWire.)
Thisswitchishereforadditionalexibility.As
mentioned in the 'Sub Assign' section to the left, you
can assign a group of channels to su/jointfilesconvert/305364/bgroups and then
re-assign those su/jointfilesconvert/305364/bgroups to the main mix. In that
example, we assigned the seven channels that were
being hogged by the 'can't-keep-a-steady-beat' drummer
to su/jointfilesconvert/305364/bgroups 1-2. Still with us?
Now imagine this: We have already successfully
recorded the drummer's tracks from the live show
and are returning them from the computer on tracks
1-7. Each of the seven tracks contains a collection of
processing and quantization. Doing so makes each
individual component of the drum kit sound better...
and in time! Those seven tracks can now be EQ'd on the
Onyx 1640i mixer and routed to su/jointfilesconvert/305364/bgroups 1-2. These
are then transmitted back for recording to your digital
audio workstation (DAW) via FireWire. This is called
track bounce. The seven tracks have now been reduced
to a stereo pair, allowing us to free up processing power
that may be applied to pitch correction and reverb
plug-ins for the egomaniac vocalist. This is called LSD
(Lead Singer Disease).
70
71
73
72
74
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